
This is a snapshot of four of my Primitive Faces From Ancient Places, having already been dipped in a vat of ash glaze, and awaiting their time to get cooked. The one of the far right has already been fired, once, but didn't get a good firing, so I've touched some spots up and he's ready to go again. That's the original very first one that I posted, that used to have long braids. The braids broke off before it even got glazed, so looks like it'll have to go bald. The one on the left is the one I posted, before, that I said looked like my dad. I made a few adjustments to him, however, and he doesn't look quite as much like him, as he did, but I still can't wait to see how he turns out. The two in the middle, well, we'll see how they turn out, too. They are actually sitting in the kiln, as we speak, having been through a 28 hour firing on Monday and Tuesday. Just waiting for the kiln to cool down. As you can see, the one that has already been fired has a greenish tint. That's the natural color, no colorant added to the glaze. It's a reaction between the ash, sand, and clay glaze mix, along with a reaction to the type of clay used to make the pieces. This type of pottery can be anywhere from yellowish, to greenish, to brownish, and sometimes with specks of blue, depending on many variables.

This is how Baby Pan turned out, once fired, but he had a few problems, too, so he went back in the kiln, along with the others, and I hope it took care of the issues with that one. I hope I will have some successfully fired pieces from the kiln, this time. We've talked about making a raku kiln to fire them in, but so far it's just talk. I fired a couple of pieces in an electric kiln, but my partner painted them with a really shiny glaze when I wasn't looking, and they look just terrible. I had actually painted them with an under glaze, as an experiment with the electric kiln firing, because you can't use the natural ash glaze in the electric kiln. It will melt, roll off, and stick to the kiln, never reaching a high enough temperature, in the electric kiln, to turn the glaze into glass. I do believe I am already attached to the wood-fired look, but I still have some experimenting to do. I had wanted to just stain them, after the initial under glaze, but Gary informed me that no self-respecting artist would use a stain. He also informed me that I could not leave them in their natural bisque fired stated, that turned out to be terra cotta colored, in the electric kiln, for whatever reason because, "They will turn out to look like garden gee-gaws," he had said. What does he know? Anything would have been better than this mess, lol. See below.

I don't think he'll do that again, lol, but he was only trying to help, and thought it was what I had intended. I had not. Who knows, I might try firing their little selves up in the wood fired kiln, next time, to see if I can get rid of that high gloss shine. Couldn't hurt, that's for sure. I'm still trying to get it right, with these little faces. I'll post more photos, later, when the rest are out of the kiln. That is, if they turn out. We've been having quite a few problems with the kiln reaching max temperature, which is not at all unusual with a wood fired kiln. Practice, practice, practice. Adjust, adjust, adjust.

This is the Christmas Tree that was outside the pottery shop.

This is the same tree, beautifully reflecting through the window next to our shop.

And this is my Potter Babe, as seen through the shop window, one late night during the Holiday, the same night I snapped all of the above pictures. That's also one of the beautiful orchids that he raises, gracing the shop window. I kinda like the warmth of this one. The Christmas tree photo, as well as this one, remind me of the warm, yet very cold Christmas season that I experienced in Europe, specifically, Germany. I can almost taste the gluwein, which is a hot seasonal drink that you can find on the streets, at any Christkindlmarkt in Germany, throughout the season. However, in this pic of him, I almost expect Pinnocio to be peering out the window, which would take us to Italy. Gotta have an imagination, I suppose.
Hope you enjoy.

15 comments:
i did enjoy it. and i especially like teh last photo, twas liek a film mystery scence
Thank you deli. I really like the last one, too. It's one of my favorites. And he likes it too, which is a good thing.
Hi Shimmerings. I was drawn to your profile your comments to Oceanshaman's, me and you and a dog named boo. Then I read your lovely profile. I'm much younger than you (about Oceanshaman's age), but I had a huge bout with loss about ten years ago. I learned about finding comfort and solace in the nothingness, which is I suppose what my blog is about. I'd love to see if perhaps anything there might resonate with you...
Hello Traveler, thanks for dropping by. I like your name and icon (?) already, I'll be sure to drop by and have a look see. I'm sorry for your loss, but it sounds as if you made it through quite well. Again, thanks for popping in.
What awesome works of art you create! You show great dedication in fine-tuning them to the look you want. I love the randomness of glaze, the infinite variety.
And nice cherry-lipped white Phalaenopsis, beautifully staked. I had to comment on the orchid, didn't I!
Hi there electric orchid hunter, so glad you dropped by. Thanks for the compliments on my little guys. I have to laugh, however, because I don't have a clue what they are going to look like until they are done. My partner says I spend way too much time on detail, but I can't not. So, thank you for noticing. My other half is the one who raises the orchids. He used to raise them as a business. I just bought my very first one, today, to raise myself. It's a Lady Slipper Paphiopedilum. The pouch is like a deep purplish black. She's just lovely. Once she gets fully opened, I'll have to take her picture.
p.s. electric orchid hunter... just so you know, the randomness of the glaze, that you mention, is the result of the combination of firing in a totally wood-fired kiln, and the simple glaze that is used, which is made from sand, clay, and spent ash from the firing. It's quite unique, and, indeed, is quite infinite in it's randomness.
Oh, this is wonderful, a fire-warmed tour through your world....I remember vividly meeting you over the post of that little one resembling your Dad....
I love it, a get-away with a kiln! Peace, my friend.....
just Beautiful!
Hey there sing! Thanks for dropping by. We've had a peek inside the kiln and it doesn't appear that they fired up, entirely. The wood was not as "dry" as it should have been. May have to fire 'em again. But, we haven't pulled them out, yet (have to let the kiln cool down) so I may be happy, yet.
Hi Shimmerings,
You are so, so talented. You have a great eye. I was impressed with your creations, and then I saw your photos! Loved the last one. Such a creative mind!
Hi Dusty Bunny, thanks! The last one was a suprise for even me. I have to tell you a very short story about the night I took these photographs. He was busy finishing up one of his pots and so, to pass the last little bit of time, I stole away with his camera and went outside to have a little fun. Wouldn't you know, mr control freak freaked out, and was wanting me to stop using up all the memory, just in case we saw something on the way home. Now, it was already dark and in the last two years, we've never stopped, in the pitch dark, to snap a photograph... but, it was more important to save his memory, than allow me my chance to enjoy the camera for the moment :( I guess I am selfish, because the camera isn't my own, and perhaps I should be more considerate. But, that's just to say that I really, really need one of these for myself (soooo expensive, I'll accept donations, lol) because "someone" is always trying to control/stall my creative juices (won't stop and pull over, when I see a shot that I want to take, either... and yes, I prefer that he drive, because I can't stand to be told when to brake, when to signal, and how fast or slow to go, yes, the backseat driver from HELL...OK, now that I've ranted! Lol!). Anyways, in the end, before he asked me stop, I managed to capture the best, and most creative, of most any shot we have of him working on his pottery (and which was captured, I might add, when I was left to my own devices, and snapping at my leisure). He likes it a lot, too, and especially with his little face jugs in the background.
Hey Shimmerrings,
You inspired me to write a little ditty on my blog. Thanks.
Be There
With the emptiness
Feel it
Breath it
Nature doesn't abhor a vacuum
It doesn't abhor anything
It doesn't abhor nothing
It is
Emptiness is there
Always
You run from it
You only find more
Enjoy it
Now
...is this gentleman your partner in life, or just in pottery? Did I miss something?? ;)
Hi, Traveler, how beautiful. Thanks. I'll have to run over and read your little dity, lol.
Hi, Dust Bunny... I realized, when I read what I had written, that I referred to the same person as my "partner" and then again, as my mate or companion or something like that. He's one and the same, there's only one, lol. He's my partner in life. We're not married, but trying very hard to make a good life, together. I'm still here ;)
Post a Comment